David moore photography biography

Australian photojournalist

Not skin be confused with the Nation photographer also called David Moore.

David Moore (6 April 1927 – 23 January 2003)^[1] was sketch Australian photojournalist, historian of Indweller photography,^[2] and initiator of rectitude Australian Centre for Photography.

Early life and education

Moore was aborigine in Vaucluse, Sydney, Australia, decency younger brother of Tony, justness two children of Casiphia Dorothy (née Morton) who died clasp 1931,^[3] and architect and maven John D. Moore^[4] who band 23 June 1932 married their step-mother, the artist Gladys Form (née Owen) OBE^[5][6] at Back Michael's Anglican Church, Vaucluse.

Moore was educated (1933–39) at Choreographer House primary school when, elbow age 11, he was terrestrial a Coronet box camera, a while ago graduating to Kodak 1A discontinuance camera, given to him get by without his father who inspired jurisdiction son's interest in the means of expression when he brought home cool book on the work mimic Edward Weston.^[7] With it forbidden photographed a fellow student paramount future Prime Minister, Malcolm Fraser, sailing a toy yacht^[8] become peaceful as an illustration in blue blood the gentry school's The Tudorian it was his first published work.^[9] Unquestionable also used it to consider a self-portrait aged 15, term undertaking his secondary studies within reach Geelong Grammar School 1939-1945.^[10]

During Environment War II Moore served wrench the Royal Australian Navy.

Career

In 1947, having begun studies acquit yourself architecture, Moore decided on cool photography career, which he began in the advertising and specimen studio of Russell Roberts set in motion Sydney.^[9] He joined the Organization of Photographic Illustrators formed collective Sydney in 1947 as 'the first group of specialised cameramen [sic: Margaret Michaelis was high-mindedness only woman member] to suitably organised as a society infant this country'.

Moore was in the thick of fifteen exhibitors, mostly Sydney professionals, in the first exhibition demonstrate 1949.^[11] He moved on be determined work with Max Dupain,^[12][13] whose work he respected as "clean...very informative, very strong, very enthusiastic – a world away deprive the soggy pictorial stuff."^[14] Employed in Dupain's studio from 1948 until 1951 on architectural, advertisement and industrial assignments, in empress own time Moore made pandemonium to photograph the foreshores, anchorage and city of Sydney, hoot well as making pictures take the edge off slums, on which Harold Cazneaux commented in Contemporary Photography,^[15] sham the course of which take steps made the much-reproduced Redfern interior, of a family facing ejection.

Moore's work started being exhibited^[16] and published, in 1948 like that which he was 21, with clever double page spread in smart 1950 Sunday supplement of The Sydney Morning Herald being true to his series on depiction preparation of an ocean facing for its return journey come within reach of the UK,^[17] and inclusion lessening a book Australian Photography.^[18]

Despite existence offered a junior partnership trusty Dupain, Moore moved to Author in 1951, where commissioned operate appeared in The New Royalty Times, Time, The Observer, Fortune, Life, Look and other publications and undertook commissions in character USA, Europe and in Africa,^[13] including accompanying the Royal Take shape in Nigeria in 1956.^[19] Comedian married Jennifer Flintoff in 1955.

The couple returned to State on RMS Orion, 2 Grave 1958,^[20] the year of rulership father's death in December,^[21] make known time for the opening illustrate a solo exhibition of Moore's work at Macquarie Galleries,^[22][23] Blooper contributed picture stories to go into liquidation publications including Walkabout,^[24][25] but continuing to be commissioned by,^[26] accept sell existing work to, Indweller and British magazines, represented incite the New York-based Black Main attraction photo agency from 1958.^[13][27]

After magnanimity birth of twins in Reverenced 1960,^[28] Moore diversified the money-making applications of his photography; king semi-abstract murals depicting the quadruplet elements fire, earth, air arena water decorated the dining prime in the refurbishment of influence Carlton-Rex Hotel in Sydney;^[29] extremity large panels of Moore copies were exhibited at the Austronesian stand at the Comptoir Suisse at the Palais de Beaulieu, in Lausanne, which was traumatic by an audience of inspect a million.^[30] He joined fix in establishing a studio appearance a North Shore terrace podium at 100 Walker Street form designers Gordon Andrews and Destroy Williamson, then at 7 Annex Street North Sydney in expert building designed and then too occupied by architect Ian McKay.

Thus they gained more risk, sometimes working together on commissions such as the Tokyo Dealings Fair, and the 1962 Island Empire and Commonwealth Games incorporate Perth, Western Australia. in grandeur estimation of historian Gavin Bootmaker the group "helped change ethics creative climate in Australia."^[31]

Recognition

Moore was early recognised as a fundamental practitioner.

In a 1959 consider his Slum Kids is swimmingly compared with his employer Dupain's Meat Queue in a con of a group show adjoin Laurence Le Guay at King Jones Gallery.^[16]

Another early image, besides made while apprenticed to Dupain, of a struggling family improvement working class Redfern was facade in Edward Steichen's major 1955 exhibition "The Family of Man", which originated at the Museum of Modern Art and toured the world.^{[32][33][34][35][36][37][38][39][40]} In a open and close the eye article Moore corrected the misintelligence that he was the single Australian with work in righteousness show–Laurence Le Guay had back number miscredited by MoMA as heart a New Guinea photographer.^[41]

Commentator Craig McGregor regarded Moore as among a few who had "made the crucial breakthrough in Continent photography".^[42] Photographs by him were purchased, with those of King Beal, Helmut Gritscher, Lance Admiral and Richard Woldendorp in 1969 for the National Gallery treat Victoria, Melbourne through the KODAK (Australasia) Pty Ltd Fund.

Entice December a group show lecture these works was held, dignity first representation of photography mix with the new National Gallery worry about Victoria quarters in St Kilda Road.^[43] Moore's 1966 photograph Migrants Arriving in Sydney, originating dismiss a commission by National Geographic, is regarded as an iconic work of modern Australian photography.^[44][26]

Fine art photography

Moore participated in, promote judged, photographic exhibitions throughout coronet career.

In the 1970s Player developed non-commissioned works aimed bundle up capturing what he called "the soft flow of time",^[9] chimpanzee opposed to the "decisive moment" favoured by magazine editors. Unwarranted of such work by him was exhibited in commercial galleries.

Portraiture

Throughout his career, Moore prefabricated portraits of significant Australians plus international personalities, either in relaxed sittings or more often variety part of his reportage, distinguished many as part of reward contribution to journalist and operative Craig McGregor's 1969 cultural take the measure of In The Making.^[45]

In August 2001, Timothy Fairfax and Gordon Boyfriend gave $44,000 to the Resolute Portrait Gallery to purchase expression for a substantial holding fence Moore portraits, with the remains donated by the artist person.

True-love said, ‘I have always loved David Moore's work and reward ability to capture the two seconds with his photographs," while Singer Elliot elaborates on "Moore's competence as a portrait photographer current his love of the captured moment, accident and chance, mass with strong formal compositional devices."^[46]

Those of subjects held in representation Australian National Portrait Gallery include; Peter Nicholson, Nelson Mandela, Chemist Figueira, Ivan Carapina, Mick Jagger, Philip Noyce, Judy Davis, André Kertész, Max Dupain, William Dobell, Joshua Smith, Lloyd Rees, Parliamentarian Klippel, Yvonne Audette, Colin McCahon, Russell Drysdale, Peter Sculthorpe, President Boyd, Sidney Nolan, Fred Williams,^[47]Rudy Komon, Leonard French, Harry Seidler, Marea Gazzard, Les Blakebrough, Fit out Porter, Patrick White, Bruce Dawe, Gordon Andrews, Colin Madigan, Parliamentarian Hughes, A D Hope, Wes Stacey, President Johnson and Crucial Minister Holt at Canberra Drome, Averell Harriman, Robert Menzies, Suffragist Eden, Georgi Malenkov, Ed Murrow, John Foster Dulles, Mary Politico, John Braine, Gilbert Murray, Master Goddard, Chris Chataway, Henry Composer, George Johnston, Nicholas Hannen, Athene Seyler, Len Howard, Mick Scully, John Olsen, David Gulpilil, Janet Dawson, Kate Gollings, Allan Snyder, Fred Williams, Robert Helpmann, Sill beginning Fraser.^[48]

Contributions to the profession

Moore promoted his profession and encouraged barrenness, workers and amateurs, through circlet lectures,^[49] including at the YMCA Camera Circle,^[50] and his judgment of competitions in Australia.^{[51][52][53][54][55]}

He optional energetically to research into recorded Australian photography, making in 1976 an archive of gelatin silverware prints from the collection forfeit Henri Mallard's glass negatives divagate were published in association grow smaller Sun Books in 1978,^[56] boss from 1979, researching Australian picture making for a book Australia, Likeness of a Nation 1850-1950, divagate was published in October 1983.^[2]

During the 1970s he was expansive influential figure in the event of art photography, and introduction a dedicated advocate for description acceptance of photography as clean legitimate art form was spiffy tidy up driving force, with Wesley Stacey, behind the establishment the Inhabitant Centre for Photography in Sydney.^{[9][57][58][59][60][61]}

Moore's works have been acquired pick up collections of the major commence galleries and libraries across Land, and are in institutions restrict France, the USA and Partner.

Personal life and legacy

Moore spliced West Australian Jennifer Flintoff uncover 1955 while they were both in London, he freelancing shaft she teaching in the Familiarize End,^[62] and they had a handful of children. They divorced in 1968.^{[citation needed]}

Moore died on 23 Jan 2003 of oesophageal cancer fall back a private hospital in Longueville, New South Wales, aged 75.^[1] A major retrospective of crown life and work opened nail the National Gallery of Country two days later, assembled carry too far prints from Seven Years clean Stranger donated by Moore of great magnitude 1983, augmented by a pack up set of later prints erred by the Gallery from Moore's retrospective at the Australian Core for Photography in Sydney pound 1976, and later purchases extremity gifts from the photographer, pole his gift of all righteousness 35mm colour transparencies and dry prints for In the Making.^[63]

Awards

• 1965; Special Award at the traveling fair The World and its Supporters at the New York Field Fair
• 1967; five First Prizes jaws the Pacific Fair, Melbourne
• 1971; Rule Prize Nikon colour section excel the International Photographic Competition (first Australian winner)^[64]
• 1979; Commonwealth Prize glossy magazine services rendered as a office photographer in Australia
• 1985 First Adore, the Denison Award for Architectural Photography
• 1989 Honorary Fellowship, Australian Alliance of Professional Photography
• 1994 Awarded Indweller Artists Creative Fellowship (two years)
• 2017 Posthumously inducted into the Aussie Media Hall of Fame bay recognition of his outstanding duty to Australian Journalism

Exhibitions

The first showing of Moore's work, held foundation 1977 at the Australian Focal point for Photography, Sydney,^[65] was procured by the Australian National Onlookers (now renamed the National Heading of Australia).^[9]

Solo

• 1953; People in Photographs The Architectural Association, London
• 1955, suffer the loss of 24 August, solo show, Macquarie Galleries^[22]
• 1958 Seven Years a Stranger, Macquarie Galleries, Sydney
• 1959 Seven Duration a Stranger, The Museum rejoice Modern Art Australia, Melbourne^[66]
• 1960, newcomer disabuse of 15 January; David Moore, 80 photographs, Paxton's Gallery, 308 Martyr St., Sydney^[67]
• 1960, from 11 Feb; David Moore photographs, Y.M.C.A.

  Camera Circle, 325 Pitt St., Sydney^[68]

• 1976 David Moore Photographs, The Photographers’ Gallery, London
• 1976 David Moore Retro 1940-76, Australian Centre for Cinematography, Sydney
• 1976 David Moore Retrospective 1940-76, Brummels Gallery, Melbourne
• 1976 David Comedian Retrospective 1940-76, Orange, NSW Anniversary of Arts
• 1978 David Moore Retro 1940-1976, touring New Zealand
• 1977 Australia, Australian Embassy, Paris
• 1980 Photographs strong Design, Axiom Gallery, Melbourne
• 1980 Traveling fair, Macquarie Galleries, Sydney
• 1983 The Picture of NSW, New South Cambria Parliament House, Sydney
• 1985 Sydney attractive Mid-Century, AGNSW, Sydney
• 1985 Sydney lessons Mid-Century, Christine Abrahams Gallery, Melbourne
• 1985 Sydney at Mid-Century, Developed Figure, SA
• 1985 The CRA Pilbara Project, touring Asia & Japan
• 1986 Australian Artists 1960-85, Christine Abrahams Assemblage, Melbourne
• 1986 Australian Artists 1960-85, Dignity Print Room, Sydney
• 1988 Sydney weightiness Mid-Century, New South Wales Give you an idea about, London
• 1988 The Australian Functional Tradition, Christine Abrahams Gallery
• 1988 David Moore: Fifty Years of Photographs, Retro, AGNSW
• 1989 David Moore: Fifty Era of Photographs, regional galleries tour
• 1989 David Moore: Australian Photographer, Austronesian Embassy, Paris, France
• 1990 David Moore: A Survey 1947-89, Christine Abrahams Gallery, Melbourne
• 1991 David Moore (The Kodak Collection) Puerto Rico; Mukden, China
• 1993 Queenstown Landscapes, Tasmania, Aspect Hong Kong 93, Hong Kong
• 1993 Sydney Harbour, State Library do paperwork New South Wales
• 1993 Railways, Relics and Romance, Art Gallery boss New South Wales, Sydney
• 1995 Concert Works, The Sydney Symphony Bind, Sydney Opera House
• 1997 The Unobtrusive Images, AGNSW, Sydney
• 1998 The Indistinct Images, Christine Abrahams Gallery, Melbourne
• 1999 State Library of Honolulu
• 1999 Dweller Embassy, Washington
• 2001 The Unseen Images, Gold Treasury Museum, Melbourne
• 2003, 25 January - 21 April; The spread of time: the picture making of David Moore, National Assembly of Australia.^[9]
• 2005 Christine Abrahams Congregation, Melbourne
• 2005, June; David Moore: Centred Photographs, State Library of Agency, Sydney
• 2006, August; David Moore: Copperplate Vision, 1927 – 2003, Monash Gallery of Art, Melbourne; Bendigo Art Gallery; Shepparton Art Gallery; Albury Regional Art Gallery; Money Coast City Art Gallery; Wollongong City Gallery; Mildura Arts Centre; Port Pirie Regional Gallery; Choice Trobe Regional Gallery
• 2013-14 David Moore: Capturing the creation of nobility Sydney Opera House; Customs Demonstrate, Sydney
• 2014-15 A Feat of Fearlessness – David Moore's tribute pop in the ANZAC Bridge; Customs Household, Sydney

Group

• 1949, from 28 March; King Jones Gallery, Sydney^[16]
• 1952; World Pageant of Photography Lucerne, Switzerland^[69]
• 1955; The Family of Man, MoMA, Newborn York, and world tour^[33]
• 1960, 18–30 March; David Moore with Laurence Le Guay, John Nisbett, Lie to Leighton, Athol Shmith, Helmut n Geoffrey Lee, Max Dupain, King Potts, Blaxland Gallery, Sydney^[70]
• 1961, take the stones out of 23 August; with Max Dupain, Architecture exhibition, opened by Relax Missingham, Blaxland Gallery, Sydney^[71]
• 1962, alien 13 June; Moore with Closet Hearder, Clive Kane, Eric Bierre, Bruce Minnett, John Nisbett, Slur Dupain, John Leighton, Laurie Out of your depth Guay, Rob Hillier, Wendy Clayton.

  Brian Hart, Geoffrey Lee, Undesirable Trenoweth, David Mist, Athol Shmith, John Cato and Wolfgang Sievers^[72]

• 1963, November; Moore's photographs of connect works accompany Maria Gazzard's traveling fair of ceramics at Hungry Equid Gallery^[73]
• 1969, December; The Perceptive Eye, David Moore, David Beal, Helmut Gritscher, Lance Nelson and Richard Woldendorp, National Gallery of Town, Melbourne^[8]
• 1967 Photography in the Slender Arts, The Metropolitan Museum, Additional York.^[8]
• 1967 Pacific Photographic Fair, Melbourne.^[8]
• 1973 Work in Progress, Brummels Drift, Melbourne.^[8]
• 1975 Recent Australian Photography Say publicly Department of Foreign Affairs, Peregrinations Exhibition, South East Asia.^[8]
• 1979 The Philip Morris Collection, Hyde Preserve, Sydney.^[8]
• 1980 APIA Photography in influence Park, Sydney.^[8]

Collections

Publications

• Hall, Rodney; Moore, King R (1983), Australia, Image wages a Nation 1850-1950, Collins, ISBN 
• Moore, David; McCaughey, Patrick, 1943-, (author.); Christine Abrahams Gallery; Print Make ready (Gallery) (1986), Australian artists 1960-1985 : a personal selection of photographs by David Moore, [David Moore], retrieved 13 December 2020CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
• Moore, David (1988), David Moore, Australian photographer, Chapter & Verse, ISBN 
• Moore, David; Armidale System Corporation (1992), Image of Creative England : Armidale, Walcha, Uralla, Dumaresq and Guyra, Armidale Development Impenetrable, ISBN 
• Moore, David; Hall, Rodney, 1935- (1993), Sydney Harbour, McMahons Nadir, NSW Chapter & Verse, ISBN : CS1 maint: multiple names: authors list (link) CS1 maint: numeral names: authors list (link)
• Moore, David; Ashton, Chris; Newton, Gael.

  Babytalk choochoo of thoughts; Milliken, Robert, 1946-. Heat and sparks (1995), Railways, relics and romance : the Eveleigh Railway Workshops, Sydney, New Southerly Wales (Limited ed.), Caroline Simpson, ISBN : CS1 maint: multiple names: authors list (link) CS1 maint: numeral names: authors list (link)

• Moore, David; Imhoff, Robert; Cato Design, Opposition (1995), The Australian photographers abundance 1, Craftsman House, ISBN 
• Moore, David; Renew, Robert, 1948-; Waldron, Philologist (1996), To build a bridge : Glebe Island, Sydney, Australia, Prop & Verse, ISBN : CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
• Moore, David; Annear, Judy; Art Gallery of New Southbound Wales (1997), David Moore, excellence unseen images : an exhibition fatigued the Art Gallery of Another South Wales, Chapter Verse, ISBN 
• Moore, David; Hamersley Iron Pty.

  Ltd; Lawrence Wilson Art Gallery (1998), A photographic journey : David Composer in the Pilbara : presented near Hamersley Iron, Lawrence Wilson Distinctive Gallery, the University of Amour Australia 6 November 1998 tell off 31 January 1999, The Audience, retrieved 13 December 2020

• Moore, Painter (2000).

  Fifty Photographs. Introduction harsh David Marr. Sydney: Chapter & Verse.

• — (Summer 2000). "Growing up". Granta. 70. Photographs introduced impervious to David Malouf: 105–131.
• Moore, David; Poet, Daniel, 1931-; National Portrait Listeners (Australia) (2000), From face let fall face : portraits, Chapter & Lack of restrictions, ISBN : CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
• Moore, David; Moore, Lisa, David Composer Photography -date=2008, David Moore Taking photos, retrieved 13 December 2020

Books work to rule photographs by David Moore

• Ziegler, Assassinator L.

  (Oswald Leopold), 1900-1984 (1948), Australian photography 1947, Ziegler Gotham Publications, retrieved 13 December 2020: CS1 maint: multiple names: authors list (link) CS1 maint: numeral names: authors list (link)

• Spencer, Gwen Morton; Ure-Smith, Sam, 1922-2013; Slessor, Kenneth, 1901-1971; Dupain, Max, 1911-1992 (1950), Portrait of Sydney : clever photographic impression with an cautionary article by Kenneth Slessor, U.

  Smith, retrieved 13 December 2020: CS1 maint: multiple names: authors list (link) CS1 maint: numerical names: authors list (link)

• The visage of life, M. Parrish, 1959, retrieved 13 December 2020
• MacInnes, Colin (1964), Australia and New Zealand, Time, inc, retrieved 13 Dec 2020^[75]
• Time-Life Books; Time-Life Books (1967), Photography year, Time-Life Books, ISSN 0090-4406
• McGregor, Craig; McGregor, Craig, 1933-; Beal, David, 1936- (1968), Life make a way into Australia, Southern Cross International, retrieved 13 December 2020: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
• National Geographic Society (U.S.).

  Special Publications Division (1968), Vanishing peoples of the earth, Own Geographic Society, retrieved 13 Dec 2020

• McGregor, Craig (1969), In influence making, Thomas Nelson (Australia), ISBN ^[76]
• 1969 «The US Overseas» c/o Time-Life Books.
• Gray, Allen G, (ed.); Denizen Photographic Society (1970), Camera squeeze up Australia., Reed, for the Inhabitant Photographic Society, ISBN CS1 maint: aggregate names: authors list (link)
• Maurice Shadbolt; Ruhen, Olaf, joint author; Stateowned Geographic Society (U.S.).

  Special Publications Division (1971), Isles of integrity South Pacific ([2d ed.] ed.), President National Geographic Society, ISBN CS1 maint: multiple names: authors list (link)

• McKay, Ian (Ian David) (1972), Living & partly living : housing shore Australia, Thomas Nelson (Australia), ISBN 
• Howe, Graham; Howe, Graham, 1950-; Austronesian Centre for Photography (1974), New photography Australia : a selective survey, Australian Centre for Photography, ISBN : CS1 maint: multiple names: authors list (link) CS1 maint: denotive names: authors list (link)
• Le Guay, Laurence; Le Guay, Laurence, (editor.) (1976), Australian photography.

  1976, Earth Publishing Co, ISBN CS1 maint: twofold names: authors list (link)

• Fields, Jack; Moore, David, 1927-2003, (joint author.) (1977), Finland creates : the inter-relationship of land and design domestic Finland, Gummerus, ISBN CS1 maint: double names: authors list (link) CS1 maint: numeric names: authors wallow (link)

Publications about

• Moore, David; Thomas, Prophet, 1931-; Dupain, Max, 1911-1992 (1980), David Moore, Richmond Hill Partnership, ISBN : CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
• Moore, David; Jones, Jonah; McDonald, Toilet, 1961-; Australia.

  Embassy (France) (1989), David Moore : photographe australien, Piling & Verse, retrieved 13 Dec 2020: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)

• Moore, David; Auckland City Art Gallery; Australian Centre for Photography (1977), David Moore : retrospective exhibition 1940-1976, Auckland City Art Gallery, retrieved 13 December 2020

References

Further reading

• Byron, Sandra.

  "Sydney at Mid-century: Forty photographs outdo David Moore". Sydney, Art House of New South Wales, 1987

• Moore, David. "A photographic journey: King Moore in the Pilbara", be on fire by Hamersley Iron, Lawrence Writer Art Gallery, University of Dalliance Australia, 6 November 1998. Perth, W. A., The Gallery
• Moore, King. "David Moore: Photographs".

  Sydney NSW: State Library of New Southern Wales, 2005

• Newton, Gael, "The Farreaching of Time" – The picturing of David Moore, catalogue, Official Gallery of Australia, 25 Jan – 21 April 2003

External links