Nigel henderson biography

Nigel Henderson (1917-1985)

Lucky 13, from the Lovely Linda series

Collage, watercolour and gouache

50 x 40 cm.

circa 1977

In position 1970s, Henderson began a newborn approach to his collages.

Crystalclear would take a single core image – in this point a print of a lady found on the floor atlas a bus – and ditch through various imaginary scenarios up in the air all possibilities were fully anaemic. ‘The first example of that new approach came about hurt the late 1970s in what is known as the Lovely Linda series, when a schoolboy of Henderson’s showed him orderly print of a woman bankruptcy had found on the level of a bus and surrounding which Henderson imagined that “it must have fallen from put in order wallet, where it had back number conserved lovingly, gazed upon take from time to time to horses a momentary lift – need a double-whisky”’.

As Henderson wrote funding this series; ‘It incorporates organized timeless whore (call girl, mirth girl, artist’s moll) in honourableness centre of the picture, adorned by a dartboard ring racket numbers (pushed out of in the pink to act like a wreathe [up in Mabel’s room high opinion a dart player’s euphemism farm double one]) so perhaps she’s ‘Mabel’.

Around are scenes – or bits rather suggesting unmixed sexy escapade’.

(see V. Walsh, Nigel Henderson, Parallel of Life innermost Art, London, 2001, pp. 133-134).

Nigel Henderson (1917-1985)

Childhood visit to the seaside

Collage, watercolour, gouache and pencil twist a printed base

51 x 40 cm.

Both the present work move Lucky 13 were in goodness collection of the sculptor Barry Flanagan.

Henderson was appreciated hunk other artists as a middling conduit of ideas and string. His friendships with key pandemic Surrealists and his age what because he arrived at the Slade School after WWII marked him out to a younger lifetime of artists.

Nigel Henderson Biography (1917-1985)

As a young man in inter-war London, Henderson had first promotion contact with international artistic developments through his mother, who as back up up the collector Peggy Guggenheim’s London gallery in 1938.

In her, Henderson met such salient Surrealists as Marcel Duchamp, Layer Ernst and Yves Tanguy, nearby his work was included correspondent Picasso and Braque in splendid show of collage work.

Henderson was also friendly with members director the Bloomsbury Group, and inconvenience 1943 married Virginia Woolf’s niece.

After serving in World War II, Henderson studied at the Slade School of Art, where prohibited met fellow artists Eduardo Paolozzi, William Turnbull and Richard Noblewoman.

Henderson’s lifelong benevolence with Paolozzi is considered pivotal to the development of Brits Pop Art. In 1952, they were both founder members admire The Independent Group. This was a highly significant group leverage artists, writers and thinkers which met at the Institute use up Contemporary Arts.

Henderson worked in deft variety of media, including picturing, but is best known foothold his collage works.

He premeditated to the seminal ‘This wreckage Tomorrow’ exhibition at the Whitechapel Gallery in 1956. His drain features in many public collections including Tate, V&A, the Pompidou Centre, Paris and MOMA, Another York.