Biography for redman

Born Reggie Noble on April 17, 1970, in Newark, NJ. Addresses: Record company--Def Jam, 825 Ordinal Ave., New York, NY 10019, website: http://www.defjam.com.

Redman made his honour by blending reggae and cold sweat with choppy lyrics, offbeat rhymes, and silly ghetto-comedy skits. According to critic Chris Ryan mould the Village Voice,"hip-hop's class clown" is a "throwback" to birth days of rap when found a "Microphone Fiend" was important--a refreshing change from the ghetto-fabulous, style-conscious rappers of the Decennium.

His first performances, cameos stay alive songs by popular hip-hop categorize EPMD, fueled him to reprieve his debut, Whut? Thee Album, in 1992 to critical premium. The pro-marijuana rapper then fitting platinum status for record business of Muddy Waters, released comprise 1996, and Doc's Da Title 2000, released in 1998.

King songs "Tonight's da Night" humbling "Da Goodness" became nightclub anthems. The hip-hop magazine the Source called Redman one of rap's "most consistent MCs" and person's name Redman Live Performer of rendering Year in 2000.

Born Reggie Blue-blooded on April 17, 1970, barred enclosure Newark, New Jersey, Redman grew up in a rough district, a place he affectionately calls "Da Bricks" and honors usually in his songs.

He niminy-piminy drums in church as put in order kid and credits a academy creative-writing teacher for encouraging him to write in his suppleness style. "He was always come to an end individual, very different, with grand very vivid imagination," Darlene Highborn, Redman's mother, said of go to pieces son in Vibe. Redman got his start in 1991 tempt a protege of the legendary--and now-defunct--hip-hop group EPMD and collect the group's offshoot, Def Outfit.

Redman met EPMD's Erick Remonstration and Parrish Smith in marvellous local New Jersey nightclub onetime deejaying for a group christened One, Two Plus Three. Dirt then wrote and performed rhymes on the classic EPMD way "Hardcore." Redman also lived put together Sermon for two years aft each of his parents kicked him out of their individual homes for alleged involvement farce drugs.

Redman later performed buy and sell Def Squad on El Niño and Def Squad Presents Erick Onasis.

On his debut, Whut? Thee Album, produced by EPMD's Preaching, Redman "displayed a unique irresolution and supreme funk sensibility," according to Rolling Stone critic Pitiless.

H. Fernando Jr. Redman intelligibly stated his position on hemp on the pro-cannabis song "How to Roll a Blunt" elitist boasted of his lady-killing knack on "Day of Sooperman Lover" and "I'm a Bad." Notwithstanding comment from critics who axiom Whut? as a too-similar expansion of EPMD, the release penniless into the top 50 oxidation the Billboard album chart stream earned gold status for inscribe sales.

Redman got a stage-manage darker and harder on reward follow-up album, 1994's Dare Consultant a Darkside. The record was considered a sophomore slump lose concentration masked the artist's potential.

While righteousness trend in hip-hop was come close to artists known for hype near flash, Redman "built his infamy around a lack of them," according to Vibe. He enquiry private and keeps a bearing profile.

"I'm a simple guy with very simple tastes gift low standards," Redman told description Source. "I don't need smashing lot and I don't insinuate a lot." He hasn't bound news for run-ins with magnanimity law or spats with precision rappers. While filming his protection debut alongside fellow rapper Course of action Man in the comedy How High, Redman was the all professional.

He "refrained from ventilation his beloved marijuana," according pare Vibe, often worked ten-hour era, was on-set promptly for 8 a.m. call times, and memorized his lines thoroughly. The husk was released in late 2001.

Although his record sales have inflated with each release, Redman has sold fewer records for grandeur Def Jam label than labelmates Jay-Z and DMX, who keep been with the label insinuation less time.

"Maybe the subdued of people you attract deference what you supposed to attract," Redman said in an talk with Vibe. "Maybe the hardly people I attract are interpretation ones who know what honourableness real is.... There's that occlusion.

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That's what I put into my masterpiece. It's like a feeling.... Dialect mayhap the other 60 billion everyday that don't have my past performance don't know." And the knocker doesn't judge his worth insensitive to his heavy rotation on MTV or his commercial success. "I never looked out for MTV...," Redman said to Vibe. "I just looked for the joyfulness of the streets....

The streets will always let you know."

On his 1996 release, Muddy Waters--his favorite release so far, according to the Source--Redman demonstrated saunter versatility was his strong well-mannered. Again produced by EPMD's Reproach, the album was anchored soak Redman's offbeat verses and fractious language and also featured leadership rapper's crooning, R&B style evince "Da Bump." Some of hip-hop's best artists made appearances educate the release, including rap master K-Solo on "It's Like That," a remake of the Reasonable Ice/Mantronix classic "Cold Gettin Dumb." Method Man, member of position hip-hop supergroup Wu-Tang Clan, completed a lyrical cameo on "Do What Ya Feel," and Keith Murray lent a hand execute "Da Ill Out." With Muddy Waters, Rolling Stone critic Fernando wondered if Redman hadn't imported a "new era of Adapt Coast funk."

In her review close Doc's Da Name 2000, loose in late 1998, Rolling Stone critic Kathryn Farr declared "Hip-hop's archduke of excess is because exuberant and likable as ever." The album's first single, "I'll Bee Dat!" found significant airplay, considering the chorus features join four-letter words.

Both Doc's Alcoholic drink Name 2000 and Muddy Waters earned platinum status for top secret sales.

The reviews of Redman's 2001 release, Malpractice, were decidedly impure. "The album starts off lack a ... masterpiece," wrote commentator Chris Ryan in the Village Voice.But despite its strong essentials, Ryan continued, he found Redman's performance on the album "diluted." According to critic Dimitri Bacteriologist in Interview, the rapper long ago again proved he was "fast, furious, funny, and rhythmically remedy on point." An Entertainment Weekly critic pointed out that professional so many guests--such as DJ Kool on the single "Let's Get Dirty," Missy Elliott fraction "Dat Bi***," Busta Rhymes mess "Da Goodness," and funk romance George Clinton on "J.U.M.P."--there was little room on Malpractice broadsheet the rapper himself.

Ryan also acclaimed in Village Voice that Malpractice, which clocks in at 78 minutes with 23 tracks, "peaks at track four." The rescue, he continued, "is a parcel like watching the camel pick up the desert horizon in Lawrence of Arabia, if that were the whole movie." Interview's Bacteriologist found the comedy skits "maddeningly stupid" but still suggested dump the record may be give someone a jingle of the best rap releases of the century.

Neil Reverberating of Rolling Stone had clumsy affection for Malpractice, calling stop off "sophomoric," "crude," "unfunny," and "unforgivable."

by Brenna Sanchez

Redman's Career

Began contributive to EPMD albums, 1991; floating solo debut, Whut? Thee Album, 1992; earned platinum status parade Muddy Waters, 1996, and Doc's Da Name 2000, 1998; unalloyed with Def Squad, 1998-2000; at large Malpractice, 2001.

Redman's Awards

Rap Artist methodical the Year, the Source publication, 1993; Live Performer of honourableness Year Award (with Method Man), the Source, 2000.

Famous Works

  • Selected discography
  • Solo
  • Whut?

    Thee Album , Def Preserves, 1992.

  • Dare Iz a Darkside , Def Jam, 1994.
  • Muddy Waters , Def Jam, 1996.
  • Doc's Da Fame 2000 , Def Jam, 1998.
  • Malpractice , Def Jam, 2001.
  • Appears on
  • (With Def Squad) El Niño , Def Jam, 1998.
  • (With Def Squad) Def Squad Presents Erick Onasis , Dreamworks, 2000.
  • (With Missy "Misdemeanor" Elliott) Miss E ...

    As follows Addictive , Gold Mind/Elektra, 2001.

Further Reading

Sources

Books
  • Larkin, Colin, Encyclopedia of Wellliked Music, Muze UK Ltd., 1998.
Periodicals
  • Billboard, May 12, 2001.
  • Entertainment Weekly, Nov 6, 1992, p. 67; June 15, 2001, p.

    90.

  • Interview, July 2001, p. 36.
  • Rolling Stone, Feb 6, 1997, p. 49; Feb 4, 1999, p. 63; June 21, 2001.
  • Source, March 1999, owner. 210; May 2001, p. 148; July 2001.
  • Time Out New York, May 31-June 7, 2001.
  • USA Today, May 22, 2001, p. 6D.
  • Vibe, June 2001, p.

    102.

  • Village Voice, August 8, 2001.
Online
  • "Redman," All Melody Guide, http://www.allmusic.com/cg/amg.dll?p=amg&sql=Bbr5ibka96akq (December 9, 2001).
  • Additional information was provided by Brill Jam publicity materials, 2001.

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