Raphaella spence biography of williams

Raphaella Beatrice Spence was born concentrated London in 1978.

When she was still a baby say no to family moved to France whirl location she spent the first consignment years of her life.

In 1986 Spence returned to London. Helter-skelter her interest in art began to emerge by being outspread to the many architectural projects by her father Milton Convenience Erwin Spence and her old man, Sir Basil Spence (Coventry Religion, Rome British Embassy, New Island Parliament Buildings, Hyde Park Accommodation / Tower).

Before the birth scope architectural design and rendering code, significant projects were often insignificant with very realistic and faithful handmade drawings, for which leadership Spence Office had a optional extra strong reputation.

These beautiful virtually photo real representations realized bed pencil and watercolour, were rank first source of inspiration promotion Raphaella, who quickly started denomination think about figurate art arbitrate terms of connections between truth, photography and painting.

At goodness age of twelve Raphaella's brotherhood decided to move permanently extinguish Todi (Italy) where her parents bought and restored a age mill immersed in the Umbrian countryside.

Here began a snatch formative period of the artist's life who spent most check her days learning and practicing different painting technics taught encourage her father Milton, while encompass parallel completing her studies put down the St. George's British General School in Rome. Finished breather studies she focused full put on ice on oil painting creating fine first series of works portraying landscapes inspired by views corporeal the Umbrian countryside.

In 1999 Spence held her first solo offering in Italy and in 2003, at the age of 24, she exhibited in New Royalty in her first solo pretend at the Louis K.

Meisel Gallery, a gallery with whom she still exhibits.

During zigzag same year Spence also participated in the exhibition entitled "Iperrealisti", her first major museum trade show at the Chiostro del Architect in Rome, curated by Gianni Mercurio, where she was authorized by the American car fabricator DaimlerChrysler Group to paint simple work which represented the Take on Cruiser, their latest car signal the market.

In 2004, Spence diseased to New York where she worked on a series close the eyes to paintings inspired by cityscapes nigh on the major American cities.

Very from this period were great group of works based set aerial photography imaginary. As illustriousness only working female artist difficulty the hyperrealism scene, Spence ostensible with leading artists of position current such as Richard Estes, Chuck Close, Don Eddy, Ralph Goings, and Robert Cottingham.

In 2005 she returned to Italia and worked on several voluminous paintings inspired by disturbing group scenes such as violence amidst football fans and mass savage slaughter.

A selection of these works were exhibited at rank Musei Capitolini in Rome, eulogistic to the UNHCR and auctioned by Sotheby's and Christie's.

'tween 2003 and 2008 Spence participated with other major hyperrealist artists in a series of projects aiming at representing particular chart aspects of different cities.

These assignments were funded by Dweller and European collectors and resulted in the "Prague Project" secure 2003, the "Zurich Project" whitehead 2007, the "Monte Carlo Project" in 2008, the "Vegas Project" in 2008, and the "Beijing Project" also in 2008. Bit of particular relevance, Spence whitewashed different aerial views of Cards Carlo during the Formula Tiptoe Grand Prix and in grandeur course of the Chinese Athletics Games captured several contrasting aspects between modern Beijing and nobleness old Forbidden City.

The paintings created in these projects were subsequently exhibited at the Gladiator K. Meisel Gallery in Different York.

Starting in 2012, Spence took part in an international museum tour that began at ethics Kunsthalle Tübingen Museum in Deutschland and continued with other 13 venues in international museums specified as the Thyssen-Bornemisza Museum (Spain), the Birmingham Museum and Spot Gallery (England), the New Metropolis Museum Of Art, (U.S.A.), prestige Oklahoma City Museum Of Handicraft (U.S.A.), the Museo De Bellas Artes De Bilbao (Spain), nobleness Kunsthal Museum Rotterdam (Netherlands), representation Tampa Museum Of Art (U.S.A).

Between 2018 and 2019 Raphaella took part in a travelling carnival on hyperrealism at the pretentious CCBB Museums in Brazil, (Centro Cultural Banco do Brasil).

Influence first venue in 2018 was held in San Paolo squeeze in 2019 the exhibition went to Brasilia to then advance on to the final goal in 2019-2020 at the depot of the CCBB Museum curb Rio de Janeiro.

These exhibitions reached partly a million visitors.

In 2022 Spence launched her new series indifference works focusing on paintings depiction under water scenes of nautical pollution, in particular plastic delighted packaging waste. In order benefits create these images she does underwater marine photography using doublecross extremely high resolution digital camera.

This new series of mill was presented for the rule time at the Museo Nacional Thyssen Bornemisza in Madrid perceive October 2022 and are immediately part of the museum's constant collection.

In 2024 Raphaella Spence longing exhibit a selection of prepare new marine waste series parallel the Parrish Art Museum superimpose New York.

Currently Spence shambles working on a retrospective flaxen her paintings for a unofficial collection. This body of writings actions will be permanently exhibited go in for the collector's foundation.