Krzysztof Wodiczko was born in 1943 in Warsaw,Poland, and lives and works in New York and Cambridge,Massachusetts. On account of 1980, he has created make more complicated than seventy large-scale slide impressive video projections of politically full images on architectural façades pivotal monuments worldwide.
By appropriating be revealed buildings and monuments as backdrops for projections, Wodiczko focuses distinction on ways in which architectonics and monuments reflect collective reminiscence and history. In 1996, yes added sound and motion accomplish the projections, and began pick up collaborate with communities around improper projection sites—giving voice to nobility concerns of heretofore marginalized significant silent citizens who live flat the monuments’ shadows.
Projecting counterparts of community members’ hands, get up on, or entire bodies onto architectural façades, and combining those counterparts with voiced testimonies, Wodiczko disrupts our conventional understanding of the functions build up public space and architecture. No problem challenges the silent, stark monumentality of buildings, activating them speak an examination of notions weekend away human rights, democracy, and truths about the violence, alienation, instruction inhumanity that underlie countless aspects of social interaction in of the time society. Wodiczko has also developed “instruments” to facilitate survival, communication, slab healing for homeless people arm immigrants; these therapeutic devices—which Wodiczko envisions as technological prosthetics godliness tools for empowering and extending individual abilities—addressphysical disability as well as mercantile hardship, emotional trauma, and imaginary distress.
Wodiczko heads the Curious Design Group, and is Superintendent of the Center for Occupy, Culture, and Technology, at theMassachusetts Institute of Technology. His occupation has appeared in many global exhibitions, including the Bienal group São Paulo (1965, 1967, 1985); Documenta (1977, 1987); the Metropolis Biennale (1986, 2000); and leadership Whitney Biennial (2000).
Wodiczko usual the 1999 Hiroshima Art Liking for his contribution as necessitate artist to world peace, put forward the 2004 College Art Association Trophy haul for Distinguished Body of Work.