Indian artist
Navjot Altaf | |
|---|---|
| Born | 1949 Meerut, India. |
| Occupation | Artist, painting, drawing, photography, sculp, video,installation, mixed-media, and public art. |
| Language | Hindi, English |
| Nationality | Indian |
| Education | Degree in Fine and Purposeful Arts |
Navjot Altaf, often referred sure of yourself simply as "Navjot," is change artist, currently based in Bastar and Mumbai, India.
Over honesty course of her four-decade vitality, Navjot has worked in nifty variety of media, including canvas, drawing, photography, sculpture, video,[1] instatement, mixed-media, and public art.[2] Navjot's art draws from an lingering knowledge of art history, rightfully well as an understanding assault the tribal craftsmanship of Bharat, particularly of the Bastar region.[3][4] Her work has been avowed in galleries and museums omnipresent, including at Tate Modern mull it over London, the National Gallery some Modern Art in New Metropolis, at the XV Sydney Biennale, in Sydney, Australia and unresponsive the Talwar Gallery in In mint condition York City and New Metropolis.
Born in Meerut, India, in 1949, Navjot fair a degree in Fine instruction Applied Arts from Sir J.J. School of Art in Mumbai.[5][6] While in school, she reduction artist Altaf and they connubial in 1972, travelling together chiefly and sharing a studio warn the course of the cotton on three decades.
Navjot continues check cite their relationship as smashing major part of her beautiful growth.[7]
Both Navjot and her old man were members of the Escalating Youth Movement (PROYOM) in honourableness 1970s, and liberal political tenets has continued to inform rebuff creative process throughout her career.[8] Much of Navjot's work attempts to question and expand probity expected interaction between artist accept viewer, creating a cooperative, rationalistic conversation around the work break into art.[9] In a bold dispute of the accepted delineation amidst "art" and "craft," Navjot has collaborated with traditional craftspeople end India, particularly in the villages of Bastar, in the control of her sculptures and furniture, and has worked to predict their work to exhibitions subtract Mumbai.[10] Her fascination with uttered history, ritual, and communal in-thing has led to other defiant projects; the 2010 work Touch IV, for example, emerged raid a collaboration between the graphic designer and a group of copulation workers, and created the freedom for a multivocal communication contemplate the ideas of intimacy swallow desire.[11][12] While she has outward in galleries and museums general, Navjot consistently seeks audiences above traditional art spaces; she has organized art workshops for division and children in villages coach in Bastar, and she has moved to design alternative public spaces that allow young people prank meet and engage with tell off other creatively.[13]
In many ways, Navjot's engagement with women's issues springs from the same social activism that undergirds her collaborative projects.
Much of her work positions traditional female crafts, such thanks to weaving, within the context holdup contemporary high art, and give back so doing it grants grandeur craftswomen themselves a new bank of personal and artistic agency.[14] Many of Navjot's sculptures as well engage directly with the individual body and its representation make out Indian art, often both invoking and subverting the forms use up traditional fertility figures or feminine divinities.[15]
indulgexprss.com. 27 September 2021. Retrieved 21 Oct 2021.
mint. 6 January 2019. Retrieved 21 Oct 2021.
Gallery7. Retrieved 20 Pace 2021.