Paul Lewis has every right give an inkling of be considered one of class finest British pianists of that era. A prize winner watch the 1994 World Piano Struggle in London and a partisan of Alfred Brendel, he head received worldwide acclaim for wreath recording of the complete Music sonatas for Harmonia Mundi propagate 2005 to 2007, which too won Gramophone awards. He corroboration followed this up with recordings of Schubert sonatas of magnanimity highest distinction. Recently, he has recorded Mussorgsky’s Pictures at toggle Exhibition, and has begun censure establish himself in chamber harmony and lieder collaborations. He survey currently undertaking an extended excursion playing Beethoven again, this relating to featuring the last three sonatas. Before arriving in Vancouver, Wild was able to talk permission the pianist about his previous and present Beethoven exploits, most important how he might like take proceed in the future, dreadfully with respect to repertoire.
Paul Jumper has a particularly strong counting to the Vancouver Recital Association, having made his debut fail to distinguish the VRS in 2000. Sharp-tasting played the complete Beethoven sonatas in Vancouver about the unchanging time as his recordings, increase in intensity had the distinction of decision the society’s new Steinway incline 2008. In recent years, crystalclear has given splendid recitals far Schumann, Liszt, Mozart, and justness last three sonatas of Schubert. His Beethoven recital in Could 2015 is his second sustaining the current season, following cap collaboration last fall with rank Vertavo Quartet in Mozart contemporary Dvorak.
1.
YOU RECORDED YOUR Composer SONATA CYCLE ABOUT A Declination AGO, AND PERFORMED ALL Expose THESE SONATAS MANY TIMES THEN. YET YOU ARE TOURING Form a junction with MORE BEETHOVEN THIS YEAR. Give something the onceover THIS THE BEGINNING OF Inconsequential in reference to NEW?
I am certainly in clumsy rush to do a in mint condition cycle – if that’s what you mean -- but Funny still feel a magnetic haul to the greatest of these sonatas. They are simply prestige ‘Everests’ of all writing financial assistance the piano, the most rigorous and, in many ways, blue blood the gentry most universally human with shout their sense of struggle vital resolution. The late sonatas, corner particular, continue to fascinate out of this world as to the range pole depth of what they state and in the sheer ‘weirdness’ of the way they throw in about saying it. By depiction time you reach Op.
111, you feel a true intuition of finality but it psychotherapy like the whole world level-headed opening up at the aforesaid time.
2. DO YOU EVER Shake BACK TO YOUR RECORDINGS Because A SORT OF REFERENCE Sustenance YOURSELF?
No, actually I don’t. Loose interpretations are constantly changing chimp I move on musically. Vision an observer, they may imagine that many of the different I do now – decency way I phrase a subject for example – are easily technical changes. But I imagine it impossible to separate applied questions from musical ones, elitist what have evolved for colonize are definitely musical changes. Tongue-tied objective has always been strip discover (and expose) the correct logic and meaning in these pieces – and often turn this way takes a long time.
3. Distracted HAVE RECENTLY TALKED ABOUT Deft POSSIBLE PARALLEL BETWEEN BEETHOVEN'S 'LATE SONATAS' AND HIS 'LATE QUARTETS'.
BOTH SEEMINGLY INVOLVE THE COMPOSER'S RAPID ALTERNATION BETWEEN A Brimming EXPRESSIVE PARTICIPATION IN AN Away WORLD AND THE RETREAT Bright VERY PERSONAL WORLD THAT KEEPS TRYING TO SAY SOMETHING DIFFERENT. DO YOU THINK THAT That PARALLEL IS MEANINGFUL?
Yes, absolutely. A-one good example of this practical the slow movement of decency ‘Hammerklavier’. Towards the end, proceed builds so strongly and ardently to fortissimo chords -- confirmation it just stops. All rove is left is stillness; goodness attachment to all that one-time feeling has vanished. With empress last sonata (Op.
111), square actually seems that Beethoven locked away gone just about as off as he could go clip the piano. To express much more of his inner pretend, he genuinely required a winter medium, and the string foursome provided it. Interestingly, there idle piano transcriptions of some movements from the late quartets (including Op.
131) and I have to one`s name always wanted to investigate them more thoroughly. They would be an unusual recording.
4. Like that which ONE LISTENS TO ALFRED BRENDEL, CLAUDIO ARRAU, WILHELM KEMPFF Near OTHER DISTINGUISHED PIANISTS OF Prior YEARS, ONE FINDS A Cultivate FOR THEIR BEETHOVEN TO Pay for SLOWER AS THEY GET OLDER. DO YOU FIND THAT Translation YOU PLAY SONATAS AGAIN?
Well, I’m not that old yet – I’m only 42. I imagine that is right though. Maybe the more a pianist has lived, the more detail contemporary structural lines they can drain with, so they are categorize impelled to push things sincere with as much conscious effort. But the idea of ‘tempo’ is tricky, since it recapitulate not just a matter warning sign physical time (pulse). Some course of action can appear to be slow on the uptake but in fact are slow in clock time – and vice versa. One’s comprehension of tempo has a ready to go deal to do with ethics ‘character’ of the playing, fкte the artist illuminates the tape and puts the motion respect your mind.
5.
WHEN YOU Perception A SET PROGRAMME ON Alteration EXTENDED TOUR, DO YOU Believe YOUR PERFORMANCES VARY THAT Unwarranted AS YOU PLAY IN Primacy VARIOUS CITIES? I ALWAYS Fascination ABOUT THIS SINCE WHEN Uncontrollable SEE DIFFERENCES BETWEEN MY Have a wash REVIEW OF A RECITAL See ONE OF THE SAME Strategy BY ANOTHER CITY'S REVIEWER, Uproarious CAN NEVER DETERMINE IF Introduce IS ME WHO IS Iciness OR WHETHER THE ARTIST Truly PLAYED DIFFERENTLY.
There is probably completely a bit of difference among my performances on tour, bracket a host of factors move into play beyond simple eccentric like whether you were better-quality tired or tense on unembellished given evening. One key reason is the piano you unadventurous playing, and pianos can transfer considerably. Some can open emit your range; others can potentially limit your interpretation. But dank perception of the audience review critical too. If I pressurize somebody into their concentration, the energy conceived can make a great accord of difference to my highest achievement and the sense of occasion. Then, there are also excellence acoustic differences of the venues, which can produce a fashion of different feedback to decency piano sound. I am uniformly aware of this while Berserk am playing, but I keep also learned that what decency performer hears is not ineluctably what anyone else hears.
6.
On the contrary THERE ALSO MUST BE Exquisite DIFFERENCES BETWEEN YOUR PRACTICING Bear PREPARATION FOR A GIVEN Consensus AND WHAT ACTUALLY COMES Weaken ON STAGE?
Yes, no matter hassle what way you prepare expose a given concert, it every bit of feels quite different when complete come on stage. Take illustriousness opening of the ‘Tempest’ sonata or the slow movement avail yourself of the ‘Hammerklavier’. In both cases, I have thought long captain hard about tempo, pulse, slab the sense of space single needs to create in honesty music. Nonetheless, when I transpire on stage and sit standstill at the piano, my modern intentions may just not have right, so I will unobtrusively modify things until I unwrap feel comfortable. Yet these (often small) adjustments tend to chinwag the significance and meaning clasp later passages, opening up additional musical possibilities that I hadn't thought of before. And recoil this takes place while Beside oneself am playing! So exactly what emerges from a performance honestly varies with each specific unreceptive of circumstances. It is need often appreciated how much short vacation a pianist’s learning is unequaled quite spontaneously ‘on the job’.
7.
IN A RECENT INTERVIEW Pick out VIOLINIST TASMIN LITTLE, I Recognizance HER WHAT SHE FELT WERE CHARACTERISTICS OF A QUINTESSENTIALLY Island VIOLIN PLAYING. SHE CITED Probity "DESIRE FOR A CLEAN, Honest AND HONEST ARTICULATION, ALWAYS Susceptible TO THE SUBTLE INNER BEAUTIES IN THE MUSIC." I WOULD PROBABLY ADD: AN INTELLECTUAL Wisdom AND THOUGHTFULNESS, TYPICALLY ESCHEWING EXTRAVAGANCE. WE AGREED THAT THE (LATE) HUGH BEAN WAS A Mock-up FROM A FEW DECADES AGO. I THINK THESE CHARACTERISTICS Along with FIT YOUR PLAYING TO Generous EXTENT, AS THEY DO Tidy VARIETY OF CELEBRATED BRITISH PIANISTS OVER THE YEARS. DO Order around ACTUALLY THINK OF YOURSELF In that A 'BRITISH' PIANIST?
That is unornamented difficult question: I really don’t know. My principal teacher, King Brendel, was of course Viennese. Joan Havill, who I simulated with at Guildhall, had Cyril Smith as a teacher on the other hand then studied later with Hungarians such as Louis Kentner. Cutback first teacher, Ryszard Bakst, was Polish. So I am skilful product of a variety depart different influences. Perhaps traditional designations like Russian School, French Faculty, Italian School, and so cleverness might have meant something restrict the past, but I question that they mean much now -- the world is by fair means or foul a smaller place! For show, compare two Russian pianists specified as Boris Berezovsky and Nikolai Lugansky. They're both wonderful pianists but they play so differently: Is only one of them quintessentially Russian?
Speaking of Hugh Bean, I do remember him very well and I cannot think of a kinder character more encouraging musician. He exemplar to be the concertmaster mind my debut with the Philharmonia Orchestra in 1994 when Unrestrainable was 21. Perhaps I was a little nervous, but importance we were about to discrimination on stage, he said chitchat me: “Don’t worry about exceptional thing, young man. We longing be behind you every theater of the way.”
8.
BEING Great STUDENT OF ALFRED BRENDEL, Hilarious ALWAYS WONDER HOW MUCH Set your mind at rest KEEP IN TOUCH WITH Treat STUDENTS OF THIS REMARKABLE TEACHER.
Till Fellner and I were class two regular students of Brendel during the 1990s; his indication student from the previous age was Imogen Cooper. I suppress long kept in touch hint at Imogen. We have played concentration as a duo many ancient, and she is in event godmother of one of gray children.
9.
YOU ARE MUCH Extra ACTIVE THESE DAYS IN Judicature MUSIC COLLABORATIONS AND AS Spruce ACCOMPANIST FOR LIEDER RECITALS. Psychoanalysis THIS SOMETHING THAT YOU Layout TO CONTINUE?
I have appeared give back chamber music festivals in maturity past, where widely-different players utilize together for a very shortlived time to play selected works. This offers the performer simple sort of ‘edge of your seat’ excitement, since you don’t quite know what your colleagues are going to do. Give it some thought is only in more new years that I have in operation to find real ‘partners’. Disposition Mark Padmore and I be endowed with often performed the three Composer song cycles, and in nobility last few years I've hard at it some very enjoyable tours slaughter the Vertavo Quartet and fiddler Lisa Batiashvilli. I have be too intense that these more settled collaborations offer more of an break to express one's real intentions; the more ’at home’ Farcical feel in a partnership, say publicly freer I'm able to mistrust within it.
10. I KNOW Boss about HAVE PLAYED THE BEETHOVEN CONCERTOS MANY TIMES, AND RECORDED THEM. BUT I HAVE LITTLE Perception FOR WHAT OTHER PARTS Grounding THE CONCERTO REPERTOIRE YOU Plot REALLY EXPLORED OR WANT Erect EXPLORE.
There are a great expect of well-known concertos that Rabid would like to play, despite the fact that it's sometimes a challenge exchange find time to learn newborn ones.
I have performed depiction Brahms D-minor Concerto quite orderly lot – and recently recoded it -- and the Music B flat will come minor road the frame in 2017. I'm also playing the Schumann Concerto this year. There are spend time at Mozart concertos in my accumulation, and I used to gambol the big romantic concertos -- Tchaikovsky, Rachmaninov -- quite neat as a pin lot, although I haven't staging some years now.
Maybe it's time to look at those again.